Our Robin Hood has an outlaw band that includes Little John, Big John, Medium John, and Not John, a Dame who runs the Girl Guides, and the Sheriff's mum with sandwiches.

Our Pinocchio has a Dame who's a carpenter with a Lumber-ghini joke, a villain who's the good fairy's brother, and a climactic scene set inside a whale.

Our Rapunzel script has the worst hair salon in Quiffendale, a villain's son who'd rather not be involved, and a pet rabbit who becomes very large and surprisingly talkative.

Our Goldilocks is set inside a circus, features a custard pie machine called the Pie-O-Matic 6000, and has a villain who steals a lollipop from Baby Bear.

Our Cinderella has Ugly Sisters called Ammonia and Amnesia, a Fairy Godmother who has delegated most of her responsibilities to her intern, and bailiffs named Grabbit and Runn.

Not all large cast scripts are the same. Some need the numbers to work properly; others scale up naturally. Here's how to tell the difference, and which of our scripts belongs in which camp.

Our Sleeping Beauty has a Dame who's also the Queen, a Herald who's lost his trumpet, and a villain whose arrival at the naming ceremony sets everything spectacularly wrong.

Our Dick Whittington has a villain who hates clean water, a Dame with a sausage-based running gag, and a custard pie scene that requires very careful pronunciation.

Our Peter Pan has a Dame who's first mate on a pirate ship, a fairy who needs a body double, and a crocodile the script never quite lets you forget.

Our Snow White has a Narrator nobody listens to, a Prince disguised as a delivery man, and seven brothers with very silly names.