Rapunzel Pantomime Script Spotlight

Prince Leo climbing through the window of Rapunzel's tower

Hair today, gone tomorrow!

Rapunzel is a story that could easily lean on its central visual, the tower, the hair, the prince climbing up — and forget to build much around it. Our version has a lot going on. Dame Betty Beehive runs the worst hair salon in all of Quiffendale alongside her son Silly Billy, whose record as a trainee hairdresser is genuinely catastrophic. Gothel's son Sidney is a reluctant villain who gets on perfectly well with Rapunzel and would rather not be involved in any of this. And Rascal, Rapunzel's pet rabbit, becomes a large talking rabbit partway through the second act, which the script handles as though it is the most reasonable thing in the world.

Synopsis

Rapunzel has been locked in a tower by the wicked Gothel since birth, kept prisoner so Gothel can use the magical properties of her hair to maintain eternal youth. Down in the village, Dame Betty Beehive is running her salon into the ground with the enthusiastic help of Silly Billy, while the suave Bob the Barber has just arrived in Quiffendale with impeccable timing.

Prince Leo is determined to find Rapunzel, Gothel is determined to stop him, and Sidney, Gothel's son, is quietly doing what he can to help from the inside. With Drip and Dribble providing loyal if entirely useless henchman support, things in Quiffendale are about to get considerably more tangled.

This script will leave you in a real hair-raising state!

Rascal, the human-sized, talking rabbit, eating a large orange carrot

Rapunzel - Act Two Theatre Company

What the script looks like in practice

Sidney accidentally spills a magical potion on Rapunzel's pet rabbit, who promptly grows to human size and starts talking:

Rascal: 'I always knew I had a lot to say!'

Sidney: 'Alright, don't rabbit on!'

Who this script suits

Rapunzel has a generous cast list with strong roles at every level: two principal comedy parts in Dame Betty and Silly Billy, a proper villain in Gothel, a sympathetic comic in Sidney, and a talking rabbit who needs someone comfortable with physical comedy. The ensemble has good work across the salon scenes, the tower sequences, and the ghost scenes. The hair salon setting gives the design team something fun to work with, and the Bob the Barber subplot gives the Dame a strong comic foil throughout. Groups who want a script where the supporting characters are as enjoyable to play as the leads will get a lot from this one.

Rapunzel Reviews

‘The structure was perfect, each scene well-paced with great comedy timing. The characters had sufficient depth but still remained true to pantomime stereotypes!’ - Kettering Youth Theatre Group on Rapunzel

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